Scott delivers a vulnerable and strained performance as Ohm Bauman, a struggling horror novelist traveling to the isolated Bilberry Woods Hotel in rural Ireland to scatter his deceased parents' ashes. Scott brings intellectual fatigue and defensive skepticism to Ohm, making his gradual psychological collapse in the face of impossible occurrences deeply compelling.
The supporting cast, featuring Irish talents Peter Coonan as the shifty desk clerk Mal, David Wilmot as an eccentric outsider living on the hotel grounds, and Will O'Connell as the unsettling bellhop Alby, infuses the hotel with an immediate, off-kilter energy. McCarthy excels at making ordinary domestic spaces feel deeply hostile; every creaking door frame, static elevator shaft, and narrow carpeted runner carries an agonizing weight of anticipation.
What sets Hokum apart is McCarthy's refusal to rely on cheap jump scares or noisy digital effects. Instead, Colm Hogan's claustrophobic cinematography and Joseph Bishara's sparse, unnerving musical score turn simple props—a piece of schoolyard chalk, an old dumbwaiter shaft, and an elevator gate—into engines of pure terror. It is a delightfully spooky, masterfully staged ghost story that lingers long in the mind.



