In turn-of-the-century Buffalo, New York, Edith Cushing (Mia Wasikowska) is an aspiring writer who has seen ghosts since her mother died. When a charming English baronet, Sir Thomas Sharpe (Tom Hiddleston), comes to America looking for investors for his clay-mining machine, she falls for him, despite her father's doubts and the icy stare of Thomas's sister Lucille (Jessica Chastain).
After a tragedy, Edith marries Thomas and moves to Allerdale Hall, his family's crumbling mansion in the north of England. The house is the star of the film. Its roof has a hole that lets snow fall into the hall, its walls ooze red clay like blood, and its corridors hide terrible secrets.
Del Toro's eye for detail is breathtaking: every costume, every candle and every shade of red and green is carefully chosen. Jessica Chastain is chilling as Lucille, and the skeletal red ghosts, played in part by Doug Jones, are beautifully designed.
The story is the weak link. The twists are easy to guess, and the first half is a slow costume romance. But if you love gothic tales like Jane Eyre or Rebecca with a dose of blood, Crimson Peak is a sumptuous treat.










