Tom Rhys Harries turns in an astonishing, physically demanding performance as Matt Hagen, charting the rise and fall of a charismatic B-movie actor whose entire identity is tethered to his good looks. When a mob assault leaves his face ruined, Harries portrays his character's psychological collapse with raw vulnerability and desperate manic energy. As his treatments begin mutating his flesh, the actor's physical contortions make the loss of bodily autonomy feel genuinely agonizing.
Naomi Ackie grounds the scientific horror as Dr. Sarah Charles, a researcher experimenting with cellular regeneration whose revolutionary biopolymer is hijacked by criminal interests. Eddie Marsan and Max Minghella deliver greasy, menacing supporting turns as the corrupt producers and mob bosses pulling the strings behind the entertainment curtain. Rob Hardy’s cinematography wraps Gotham's studio backlots in smoky amber and rainy neon, emphasizing the artificiality of celebrity against the rot underneath.
The practical special effects are the crowning achievement of the film. Rather than relying on weightless digital mud, the transformation sequences utilize foam, animatronics, and tactile prosthetics that make Hagen's flesh look heavy, wet, and painfully unstable. While the third act embraces violent slasher-style vengeance that follows familiar revenge beats, the emotional weight of Hagen's tragedy gives the carnage real sting.

